When in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rhyme
In praise of ladies dead and lovely knights;
Then, in the blazon of sweet beauty’s best,
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have expressed
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all you prefiguring,
And, for they looked but with divining eyes,
They had not still enough your worth to sing;
For we, which now behold these present
days,
Have eyes to wonder, but lack tongues to
praise.
The poem with the stressed
syllables underlined:
When in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rhyme
In praise of ladies dead and lovely knights;
Then, in the blazon of sweet beauty’s best,
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have expressed
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all you prefiguring,
And, for they looked but with divining eyes,
They had not still enough your worth to sing;
For we, which now behold these present
days,
Have eyes to wonder, but lack tongues to
praise.
Comment:
Shakespeare's Sonnets seem more like
prayers when compared to Housman's
regular beat. The long pauses of un-
accented syllables create a meditative
somewhat irregular beat. The thought
expressed is simply that in the past
though people had impressive skills at
praising beauty and virtue, even they
could not describe accurately the beauty
and virtues of the speaker's beloved.
© C.A. MacLennan 2025
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